Kazumichi Tsuji is a bored office worker in questionable relationships with two women at work. One day he meets the intriguing Ukiyo Hayama at a convenience store. However, having her in his life brings nothing but trouble.

Their plan was simple...Get the Cash. As Rupert, an ex-con, tries to go straight, his younger brother James pursues a life of delinquency. Days after being released from jail, James is gunned down and lies waiting in a hospital for a liver transplant. In a desperate attempt to save his brother's life, Rupert decides to execute a heist at a downtown club on New Year's Eve that will give him the money he needs. Rupert assembles an eclectic crew of ex-cons, including his best friend and his ex-girlfriend. Rupert and his gang converge on the nightclub for a climax that spins out of control. New Year's Eve has never been so explosive!

Paula is the picture of confidence. A wildly successful sex therapist who counsels with the aid of fantasy role-playing. Like the role she is playing herself. Her picture is not as rosy as it seems. No one knows but her fellow therapist Suzy. Will Suzy help Paula regain her lost love and confidence with a little role-playing of their own?

暂无剧情简介

An avant-garde film presented as part of an exhibit at the Museum of Modern Art. From MoMA's catalog: "For the monumental installation Play Dead; Real Time, (director Douglas) Gordon arranged for a circus elephant to be transported to Gagosian Gallery, in New York City, where he filmed it obeying a series of commands (repeatedly lying down and then awkwardly struggling to rise). Like many of Gordon's protagonists, the elephant is subject to greater forces, beyond its controL Simultaneously presenting several different versions of the scene, in front and rear projections and on a monitor, the work depicts the event from a range of perspectives rather than from a single static viewpoint."

Two friends go to see a play and realize just how terrifying supporting the arts can be.

Earl Pilcher Jr. runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining he's not her natural son, but the son of a Black woman who died in childbirth; plus, he has a half brother Ray, in Chicago, she wants him to visit. Earl makes the trip, initially receiving a cold welcome from Ray and Ray's son, Virgil. His birth mother's sister, Aunt T., an aged and blind matriarch, takes Earl in tow and insists that the family open up to him.

Earl Pilcher Jr. runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining he's not her natural son, but the son of a Black woman who died in childbirth; plus, he has a half brother Ray, in Chicago, she wants him to visit. Earl makes the trip, initially receiving a cold welcome from Ray and Ray's son, Virgil. His birth mother's sister, Aunt T., an aged and blind matriarch, takes Earl in tow and insists that the family open up to him.

Paul Morse is a good guy. When his friends throw him a wild bachelor party, he just wants to keep his conscience clean -- which is why he's shocked when he wakes up in bed with a beautiful girl named Becky and can't remember the night before. Desperate to keep his fiancée, Karen, from finding out what may or may not be the truth, he tells her a teensy lie. Soon his lies are spiraling out of control and his life is a series of comical misunderstandings.

Masquerading as another man, Antoine flies to New York for a three-day stay and promptly falls in love with Alice, who's dating someone else. When that doesn't work out for him, Antoine turns to the city itself for inspiration.